Stories from the Guy Who Writes Your College Papers
I do a lot of work for seminary students. I like seminary students. They seem so blissfully unaware of the inherent contradiction in paying somebody to help them cheat in courses that are largely about walking in the light of God and providing an ethical model for others to follow. I have been commissioned to write many a passionate condemnation of America’s moral decay as exemplified by abortion, gay marriage, or the teaching of evolution. All in all, we may presume that clerical authorities see these as a greater threat than the plagiarism committed by the future frocked.
With respect to America’s nurses, fear not. Our lives are in capable hands—just hands that can’t write a lick. Nursing students account for one of my company’s biggest customer bases. I’ve written case-management plans, reports on nursing ethics, and essays on why nurse practitioners are lighting the way to the future of medicine. I’ve even written pharmaceutical-treatment courses, for patients who I hope were hypothetical.
I, who have no name, no opinions, and no style, have written so many papers at this point, including legal briefs, military-strategy assessments, poems, lab reports, and, yes, even papers on academic integrity, that it’s hard to determine which course of study is most infested with cheating. But I’d say education is the worst. I’ve written papers for students in elementary-education programs, special-education majors, and ESL-training courses. I’ve written lesson plans for aspiring high-school teachers, and I’ve synthesized reports from notes that customers have taken during classroom observations. I’ve written essays for those studying to become school administrators, and I’ve completed theses for those on course to become principals. In the enormous conspiracy that is student cheating, the frontline intelligence community is infiltrated by double agents. (Future educators of America, I know who you are.)
As the deadline for the business-ethics paper approaches, I think about what’s ahead of me. Whenever I take on an assignment this large, I get a certain physical sensation. My body says: Are you sure you want to do this again? You know how much it hurt the last time. You know this student will be with you for a long time. You know you will become her emergency contact, her guidance counselor and life raft. You know that for the 48 hours that you dedicate to writing this paper, you will cease all human functions but typing, you will Google until the term has lost all meaning, and you will drink enough coffee to fuel a revolution in a small Central American country.
But then there’s the money, the sense that I must capitalize on opportunity, and even a bit of a thrill in seeing whether I can do it.
And I can. It’s not implausible to write a 75-page paper in two days. It’s just miserable. I don’t need much sleep, and when I get cranking, I can churn out four or five pages an hour. First I lay out the sections of an assignment—introduction, problem statement, methodology, literature review, findings, conclusion—whatever the instructions call for. Then I start Googling.
I haven’t been to a library once since I started doing this job. Amazon is quite generous about free samples. If I can find a single page from a particular text, I can cobble that into a report, deducing what I don’t know from customer reviews and publisher blurbs. Google Scholar is a great source for material, providing the abstract of nearly any journal article. And of course, there’s Wikipedia, which is often my first stop when dealing with unfamiliar subjects. Naturally one must verify such material elsewhere, but I’ve taken hundreds of crash courses this way.
After I’ve gathered my sources, I pull out usable quotes, cite them, and distribute them among the sections of the assignment. Over the years, I’ve refined ways of stretching papers. I can write a four-word sentence in 40 words. Just give me one phrase of quotable text, and I’ll produce two pages of ponderous explanation. I can say in 10 pages what most normal people could say in a paragraph.
I’ve also got a mental library of stock academic phrases: “A close consideration of the events which occurred in ____ during the ____ demonstrate that ____ had entered into a phase of widespread cultural, social, and economic change that would define ____ for decades to come.” Fill in the blanks using words provided by the professor in the assignment’s instructions.
How good is the product created by this process? That depends—on the day, my mood, how many other assignments I am working on. It also depends on the customer, his or her expectations, and the degree to which the completed work exceeds his or her abilities. I don’t ever edit my assignments. That way I get fewer customer requests to “dumb it down.” So some of my work is great. Some of it is not so great. Most of my clients do not have the wherewithal to tell the difference, which probably means that in most cases the work is better than what the student would have produced on his or her own. I’ve actually had customers thank me for being clever enough to insert typos. “Nice touch,” they’ll say.
I’ve read enough academic material to know that I’m not the only bullshit artist out there. I think about how Dickens got paid per word and how, as a result, Bleak House is … well, let’s be diplomatic and say exhaustive. Dickens is a role model for me.
So how does someone become a custom-paper writer? The story of how I got into this job may be instructive. It is mostly about the tremendous disappointment that awaited me in college.
My distaste for the early hours and regimented nature of high school was tempered by the promise of the educational community ahead, with its free exchange of ideas and access to great minds. How dispiriting to find out that college was just another place where grades were grubbed, competition overshadowed personal growth, and the threat of failure was used to encourage learning.
Although my university experience did not live up to its vaunted reputation, it did lead me to where I am today. I was raised in an upper-middle-class family, but I went to college in a poor neighborhood. I fit in really well: After paying my tuition, I didn’t have a cent to my name. I had nothing but a meal plan and my roommate’s computer. But I was determined to write for a living, and, moreover, to spend these extremely expensive years learning how to do so. When I completed my first novel, in the summer between sophomore and junior years, I contacted the English department about creating an independent study around editing and publishing it. I was received like a mental patient. I was told, “There’s nothing like that here.” I was told that I could go back to my classes, sit in my lectures, and fill out Scantron tests until I graduated.
I didn’t much care for my classes, though. I slept late and spent the afternoons working on my own material. Then a funny thing happened. Here I was, begging anybody in authority to take my work seriously. But my classmates did. They saw my abilities and my abundance of free time. They saw a value that the university did not.
It turned out that my lazy, Xanax-snorting, Miller-swilling classmates were thrilled to pay me to write their papers. And I was thrilled to take their money. Imagine you are crumbling under the weight of university-issued parking tickets and self-doubt when a frat boy offers you cash to write about Plato. Doing that job was a no-brainer. Word of my services spread quickly, especially through the fraternities. Soon I was receiving calls from strangers who wanted to commission my work. I was a writer!
Nearly a decade later, students, not publishers, still come from everywhere to find me.
I work hard for a living. I’m nice to people. But I understand that in simple terms, I’m the bad guy. I see where I’m vulnerable to ethical scrutiny.
But pointing the finger at me is too easy. Why does my business thrive? Why do so many students prefer to cheat rather than do their own work?
Say what you want about me, but I am not the reason your students cheat.
You know what’s never happened? I’ve never had a client complain that he’d been expelled from school, that the originality of his work had been questioned, that some disciplinary action had been taken. As far as I know, not one of my customers has ever been caught.
With just two days to go, I was finally ready to throw myself into the business assignment. I turned off my phone, caged myself in my office, and went through the purgatory of cramming the summation of a student’s alleged education into a weekend. Try it sometime. After the 20th hour on a single subject, you have an almost-out-of-body experience.
My client was thrilled with my work. She told me that she would present the chapter to her mentor and get back to me with our next steps. Two weeks passed, by which time the assignment was but a distant memory, obscured by the several hundred pages I had written since. On a Wednesday evening, I received the following e-mail:
“Thanx u so much for the chapter is going very good the porfesser likes it but wants the folloing suggestions please what do you thing?:
“‘The hypothesis is interesting but I’d like to see it a bit more focused. Choose a specific connection and try to prove it.’
“What shoudwe say?”
This happens a lot. I get paid per assignment. But with longer papers, the student starts to think of me as a personal educational counselor. She paid me to write a one-page response to her professor, and then she paid me to revise her paper. I completed each of these assignments, sustaining the voice that the student had established and maintaining the front of competence from some invisible location far beneath the ivory tower.
The 75-page paper on business ethics ultimately expanded into a 160-page graduate thesis, every word of which was written by me. I can’t remember the name of my client, but it’s her name on my work. We collaborated for months. As with so many other topics I tackle, the connection between unethical business practices and trade liberalization became a subtext to my everyday life.
So, of course, you can imagine my excitement when I received the good news:
“thanx so much for uhelp ican going to graduate to now”.
Sounds like you owe Wikipedia a donation.
U shoud more charging money!
I liked the essay. Very interesting.
In my opinion the writer should try and find a more meaningful occupation for his or herself. Not because cheating is wrong and undermines the educational system (both true), but because the writer sounds pretty depressed about the situation. The writer also comes off as a bit of an ass. ‘I was too cool for school’ he/she explains, ‘so now I do boring and ethically questionable work, sometimes late into the night’.
With the ability to write and lack of morals that the author possesses, many other better-paying and stimulating opportunities might have opened up had they actually graduated.
In terms of the actual writing it was mostly good, but it’s clear that days on end of writing the same formulaic crap has somewhat dulled the blade:
“…drink enough coffee to fuel a revolution in a small Central American country.”
I almost stopped reading there.
My overall takeaway from this piece was ‘stay in school’.