The Genius Of The Muppets
The Article: The Muppets and Moi by Hadley Freeman in the Guardian.
The Text: Some of us, for the record, have always played the music. And some of us, also just to clarify, never stopped lighting the lights. That’s because, for us in the cultural elite, we are always ready to meet the Muppets on The Muppet Show tonight.
When it was announced on Tuesday that US TV broadcaster NBC has commissioned a script for a new series of the Muppets, the reaction among critics, commentators and tweeters was, frankly, remarkable. It is rare that a four-decades old franchise can announce a return to TV and prompt such unabashed enthusiasm as well as a total lack of cynicism about quality control. Everyone loves the Muppets – that goes without saying. More surprising is how many people want them back, creating, satirising, karate chopping.
The Muppets are definitely having what Miss Piggy would call, with a proud tilt of her snout and a toss of her blonde mane, “un petit moment”. The Muppets, the latest Muppet movie, opens in America this week and magazines across the nation have enthusiastically taken advantage of this to feature the cloth-covered puppets on their covers, in all their anarchic glory.
That film, though, has been slightly gazumped by the extraordinary documentary, Being Elmo, about the man behind possibly the most famous Muppet not on The Muppet Show but on Sesame Street. This beautiful movie has reminded audiences, if any needed reminding, that the Muppets were always more than just clever satirists but an integral part of American culture and society.
When Eddie Murphy dropped out of hosting the Oscars two weeks ago, a campaign was instantly launched for the Muppets to take his place. “Can Muppets Save the Day?” read the headline on the LA Times. “If the position were chosen by popular vote, the beloved Henson creations would likely come out on top,” the journalist concluded. Sadly, the position is not chosen by popular vote and so the hosting duties went to another comedy throwback, Billy Crystal. But if the Muppets don’t at least get to present an award, Miss Piggy should karate-chop Crystal. Hiii-yah!
Here is where I should, really, put the responsible disclaimer: my love for the Muppets is not without personal loyalties. My mother used to work for the Children’s Television Workshop (CTW, now called Sesame Workshop), the non-profit organisation behind various Jim Henson shows. Incidentally, that is the coolest thing about me. It’s all pith from hereon.
She worked on Sesame Street (The Muppet Show was, in fact, produced in England, as all English fans of the show tell me within one minute of first mentioning the programme – that explains the extraordinarily high number of cockney singalongs). Yet it’s fair to say that I grew up in a household predisposed to watch all things Muppet-based. When I think back on my childhood, one of the first tableaux that comes to mind is me, my sister and our parents watching Sunday night screenings of reruns of The Muppet Show. It’s a vision that seems so inspired by a 50s advert for TV sets that I’d doubt it – if my family didn’t have a habit of making Muppet Show references to one another, if not on a daily basis then certainly on a weekly one, from Miss Piggy chasing her “Kermie” around, to the Mahna Mahna song. That Sunday night ritual, with my sister and me laughing at the slapstick gags, my parents laughing at the satirical ones, was as comforting as being tucked into bed later. It was like being told that everything, in the end, would turn out just fine.
But in all professional and personal honesty, I cannot imagine that if my mother had worked on, say, The Magic Roundabout, I’d have loved The Muppet Show any less.