Posted on August 20, 2011 in
Articles
The Text: The Twilight of Meaning by John Michael Greer at The Archdruid Report.
The Article: This is not going to be an easy post to write, and I’m not at all sure it will be any easier to understand; I trust my readers will bear with me. I could begin it in any number of places, but the one that seems most important just now is the vestibule of the little public library six blocks away from my house. It’s a solid if unimaginative brick rectangle of Eighties vintage, one room not quite so full of books as it ought to be, another room in back for the librarians to work, a meeting space, restrooms, and a vestibule where books that are being discarded from the collection are shelved for sale.
That’s standard practice in most public libraries these days. If a book hasn’t been checked out for three years, or if it needs repairs and there isn’t a huge demand for it, it goes onto the sale shelf. Prices range from cheap to absurdly cheap; the sale doesn’t bring in a huge amount, but at a time of sparse and faltering budgets, every bit helps. The exception is children’s books, which aren’t for sale at all. They’re in a cart marked FREE, and if they don’t get taken in a month or so, they go into the trash, because there simply isn’t any demand for them. That was where, a few months ago, I spotted a copy of Kate Seredy’s 1938 Newberry Award winner The White Stag.
The vast majority of my readers will no doubt find the reference opaque. Still, back when I was a child—no, dinosaurs didn’t quite walk the earth back then, though it sometimes feels that way—winners of the Newberry Award, one of the two most prestigious US awards for children’s literature, still counted for quite a bit. Most libraries with a children’s collection of any size had the whole set, and most children’s librarians were enthusiastic about getting them into the hands of young readers. That’s not how I found The White Stag—I needed nobody’s encouragement to read, and Seredy’s compelling illustrations of galloping horsemen and magical beasts were well aimed to catch my eye—but find it I did, and that’s how medieval Hungarian legends about the coming of Attila the Hun wove their way permanently into the crawlspaces of my imagination.
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